Louise nevelson biography article
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First Lady Betty Ford and Louise Nevelson standing with “Bicentennial Dawn” (1976) (Artwork © 2016 Estate of Louise Nevelson / Artists Rights Society (ARS), New York, photograph by Al Schell for the Philadelphia Evening Bulletin, © Temple University Libraries, SCRC, Philadelphia, PA)
Laurie Wilson’s extensively researched biography Louise Nevelson, Light and Shadowincludes a story that demonstrates the artist’s character perfectly. The seventy-seven-year-old Nevelson was suffering from cancer, and reporters had come to interview her. One journalist asks “How are you feeling?” And she answers, “Dying. Other than that, I’m fine.” There was not a grain of self-pity evident in her response. She had a barbed wit and intolerance for fools — including herself. These traits were the solid foundation from which her public persona developed.
This new biographical account of Louise Nevelson, written byWilson, a practicing psychologist and art historian, is the most fact-based to date. Pr
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Summary of Louise Nevelson
Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced bygd the precedent of Marcel Duchamp'sfound object sculptures and readymades. Nevelson carefully arranged the objects in beställning to historicize the debris within the new, narrative context of her vägg sculptures. The stories embodied within her works resulted from her cumulative experiences - as a Jewish child relocated to amerika from Russia, as an artist training in New York City and Germany, and as a hard-working, successful woman. Her innovative sculptural environments and success within the male-dominated realm of the New York gallery struktur inspired many younger artists, primarily those involved in installation art and the Feminist art movements.
Accomplishments
- Although Nevelson's art
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Louise Nevelson
American sculptor (1899–1988)
Louise Nevelson (September 23, 1899 – April 17, 1988) was an American sculptor known for her monumental, monochromatic, wooden wall pieces and outdoor sculptures. Born in the Poltava Governorate of the Russian Empire (present-day Kyiv Oblast, Ukraine), she emigrated with her family to the United States in the early 20th century. Nevelson learned English at school, as she spoke Yiddish at home.
By the early 1930s she was attending art classes at the Art Students League of New York, and in 1941 she had her first solo exhibition. Nevelson experimented with early conceptual art using found objects, and experimented with painting and printing before dedicating her lifework to sculpture. Usually created out of wood, her sculptures appear puzzle-like, with multiple intricately cut pieces placed into wall sculptures or independently standing pieces, often 3-D. The sculptures are typically painted in monochromatic black or white.[5