Musee placard de erik satie biography
•
Closet of Erik Satie, french composer and pianist precursor
At the end of the 19th century, the composer Erik Satie lived in a small room he called his closet. It has been transformed into a small museum-box of surprises where you can see scores, manuscripts, an engraving by Picasso, projects for the ballet Parade and hear his Gymnopédies .
Note
The Gymnopedias (Ancient Greek Γυμνοπαιδία / Gumnopaidía) were religious festivities held in Sparta in July in honor of Apollo and to honor the warriors who died in the Battle of the Champions.
It was after reading Gustave Flaubert's Salammbô that Satie had the idea for piano pieces inspired by the dances of Greek antiquity. The series of 3 musical pieces fall into the category of works from his Montmartre period. They were first published by his father Alfred Satie, but did not become popular until 1910, when the younger generation of French composers and performers discovered his music.
•
There is also a marvellous moment in Erik Satie’s Pieces Froides (Cold Pieces): “merveilleusement”, it says in French.
Satie wrote his Cold Pieces in 1897 when he was living in a very small, unheated room in Montmartre. He called it the cupboard. The room was so cold that he had to sleep with all his clothes on top of him. Later, in the 1980s, the Satie scholar Ornella Volta created a miniature museum in that room: Musée-Placard d'Erik Satie, the Cupboard Museum of Erik Satie.
In Italian class I made a friend, Carla. On Sundays, Carla works at the Italian bakery Sironi - inom go bygd and beställning a caffe nero. Carla works also as a psychologist - I talk with her about my interest in art and nonsense. She laughs. Her work fryst vatten
•
Manageable Museums: Little-known Art Treasures in Paris Part 3
Blogathon June 16
Musée Marmottan Monet
Hidden by the Jardins du Ranelagh in the residential 16th arrondissement, Musée Marmottan Monet is, as the name implies, the largest repository in the world of Claude Monet’s creative output, but it also displays more than 300 artworks by other masterful Impressionists and Post Impressionists such as Édouard Manet, Pierre-Auguste Renoir, Berthe Morisot, Paul Gauguin, Edgar Degas, and Alfred Sisley to name drop a few.
The current exhibition, “La toilette, naissance de l’intime” (The Toilet and the Birth of Intimacy–sounds so much better in French, n’est pas?), reveals the intimate moments of feminine grooming, painted in exquisite loveliness by artists from the fifteenth century to today. The earlier paintings are worth gazing at, of course, but the paintings by Pierre Bonnard, Manet, Morisot, Degas, and Lautrec are especially appealing. The show clo