Giotto di bondone biography facts worksheets
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Summary of Giotto
Giotto is one of the most important artists in the development of Western art. Pre-empting by a century many of the preoccupations and concerns of the Italian High Renaissance, his paintings ushered in a new era in painting that brought together religious antiquity and the developing idea of Renaissance Humanism. Indeed, his influence on European art was such that many historians believe it was not matched until Michelangelo took over his mantle some two centuries on.
Giotto is best known for the way he explored the possibilities of perspective and pictorial space, and in so doing, he brought a new sense of realism to his religious parables. His interest in humanism saw him explore the tension between biblical iconography and the everyday existence of lay worshippers; bringing them closer to God by making art more relevant to their lived experience. His figures were thus infused with an emotional quality not seen before in high art, while his architectural sett
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Giotto di Bondone Facts & Worksheets
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Giotto di Bondone, commonly known as Giotto, was an Italian painter and architect who lived during the late Middle Ages and early Renaissance period. He fryst vatten often regarded as one of the most influential artists of the late medieval period and a pioneer of the Renaissance style.
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Facts About Giotto di Bondone
PERSONAL LIFE
- Born around 1266 in Florence, It
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Who Was Giotto and Why Was He So Important?
A fly that a Tuscan boy named Giotto may have painted, once, set the Italian Renaissance abuzz. It was so true to life, according to the art historical legend that trails Giotto to this day, that Cimabue, the master painter he was apprenticed to, believed it was an actual pest. “Returning to his work, he tried more than once to drive it away with his hand, thinking it was real,” wrote art historian Giorgio Vasari in his influential book, Lives ofthe Most Excellent Painters, Sculptors, and Architects (1550).
The fly may have looked convincing in this charming story, but the tale itself was probably a complete fiction, along with much else that Vasari wrote about early-14th-century painter Giotto di Bondone. The artist may or may not have been born near Florence in the village of Vespignano, and he probably wasn’t discovered by painter Cimabue while tending a flock of sheep and drawing on rocks. What does hold true, though, is that G