Biography of dilip kumar images of springs
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Dilip Kumar, The Doyen Of Bollywood
In the history of Hindi film industry no actor ever took intensity to such mythical proportions or regions as Dilip Kumar. In full flow Dilip Kumar could create the impact of an inferno or Tsunami .His acting possessed that rare quality of a genius, literally sculpting a new dimension to acting. No superstar looked as natural as Dilip Kumar, as though he never went to any acting school. Dilip Kumar is arguably the strongest contender for the choice of the best or most consummate Hindi film actor ever. Every great Hindi film superstar modelled himself on Dilip Kumar. He is alive till this very day, on the verge of turning 100.
Dilip championed tragedy in the depth of an Ocean, like no Hindi film actor ever did. Enacting tragic characters he put the audience in a trance, as though they were witnessing the darkest of winter days.However Dilip also had great flair for enacting comedy roles, creating the liveliness of the breaking of spring .Rarely
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Dilipkumar Roy
Bengali musician, singer, musicologist, novelist, poet, essayist and yogi
Dilip Kumar Roy (22 January 1897 – 6 January 1980), also spelt Dilipkumar Roy, was an Indian musician, singer, musicologist, novelist, poet, essayist and yogi. He was the son of Dwijendralal Ray (or Roy). In 1965, the Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama, awarded him its highest honour for lifetime achievement, the Sangeet Natak Akademi Fellowship.[1][2][3][4][5]
Background and education
[edit]Son of Dwijendralal Ray (1863–1913), the Bengali poet, playwright, and composer, Roy and his younger sister Maya lost their mother Surabala Devi in 1903. On his paternal grandmother's side, the family descended from Vaishnava ascetic Advaita Acharya, one of the apostles of the medieval Bengali saint Shri Chaitanya. His mother Surabala Devi was the daughter of distinguished homeopath physician Pratap Chandra
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Remembering Dilip Kumar, the star and actor who grew with India as it evolved
He was more than a star, more than just an actor even.
Dilip Kumar, or Yousuf Khan as he was born, was the legend who epitomised the composite culture of India, both in his films that explored stories of rebellion, hope and love and in his seven decades in public life.
Kumar, who died on Wednesday morning at the age of 98, was the thinking, impassioned hero framed in black and white who moved on to a spectrum of roles in technicolour, his life and career a testimony to India as it grew and evolved over the decades.
One of the handful of greats etched in the annals of Indian cinema, tragedy came to be affixed to his name with his vända as the brooding lover in classics such as Devdas, Andaz, and the epic romance Mughal-e-Azam.
But the Tragedy King, who did his first rulle Jwar Bhata in 1944, three years before Independence, and his last Lal Quila in 1998, was more than that.